Brut is a table with strong references to Art Brut, spontaneous and informal, and brutalist architecture both in the volumes, accentuated and massive, and in the materials, concrete and only partially controllable.

Tacchini’s first project with the designer Roberto Sironi, this table with a cast aluminium top and concrete legs presents itself as a procedural object, where the material takes over and dominates the forms to give life to a piece with a proud and charismatic personality.

Cassero is a material reworking in which the tactility of the wood grain becomes the distinctive and significant aesthetic element of the project: two low tables with essential and rigorous shapes that bring a powerful architectural sign to the living environment through variation of scale and careful chromatic research.
The materiality of the concrete becomes the protagonist and is expressed through irregular surfaces that recall the raw wood with which the formwork is made — the wooden formwork used in construction that holds within it the shape to be created by casting concrete.

TORSO is made from polished aluminium cast from a clay model created by the designer. The side table is inspired by the works of Constantin Brâncuși, combining an assembly of primary abstract elements with a reflective surface that diffuses and reflects light, creating the illusion of a suspended, infinite sculpture.

Colonna reinterprets the architectural archetype from which it takes its name as a pair of side and coffee tables, reaffirming Roberto Sironi’s ability to combine function, narrative and sculpture.

The prismatic structure, clad in shaped mirrored glass, reflects the surrounding environment and fragments its image, while the material depth of the marble top introduces a subtle balance between monumentality, lightness and abstraction. The tables transform the archetype into a minimal and rigorous gesture, available in two sizes and five marble varieties.

PietraForma emerges from the ongoing research of Roberto Sironi, who continues his collaboration with Tacchini by exploring an aesthetic poised between functionality and emotion, capable of engaging with those who experience it every day.

Natural stone, an organic surface suspended on wooden supports, creates a contrast between the dynamic irregularity of the top and the architectural essentiality of the legs. The veining of the marble together with the grain of the wood, evokes the silent strength of matter in a narrative shaped by time and memory.